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PLAYER / AMP / SPEAKER / HEADPHONE / CABLE / etc.



SPEAKER DATA
BAROMETER / FIELD / TONE / REVIEW / BBS / ver.x.xx

Maker Model F‘Ñˆæ ‰¹—Ê“K« ‹¿‚«‚Ì’·‚³ ‰¹‘¬ Û’¥E“ÁŽ¿
aad Q-50i ¡¡  ¡¡ ¡ 1 ‡A‡B‡C‡D 6 ôôô X <<<<< @
ACUSTIK-LAB Stella Melody ¡¡¡¡¡¡¡¡ 1 ‡A‡B‡C 5 6 ôôô X >>>>> ƒtƒ‰ƒ[ƒP[ƒL
ACUSTIK-LAB Stella OPUS ¡¡¡¡¡¡¡¡ 1 ‡A‡B‡C‡D 6 ôôôô X >>>>> @
AERIAL Model 7B ¡¡¡¡  ¡¡ 1 ‡A‡B‡C‡D 6 ôôôôô X >>>>>> @
ALR Jordan Entry S     ¡¡¡  1 ‡A‡B‡C 5 6 ôô X >>>>>>>> XYLITOL
ANTHONY GALLO MICRO SATELLITE ¡  ¡ ¡¡¡ 1 ‡A‡B 4 5 6 ôô X <<<<< ƒyƒvƒ\ƒR[ƒ‰
Apogee Ribbon Monitor 1 ¡    ¡ ¡ 1 ‡A‡B‡C‡D 6 ôôô X >>>>>> @
ATC ACMA7 ¡¡¡ ¡¡¡  1 ‡A‡B‡C‡D 6 ôôôô X >>>>> @
B&O BeoLab 3 ¡¡  ¡¡   1 ‡A‡B‡C 5 6 ôôôô X >>>>> @
B&W DM-601S2   ¡¡   ¡ 1 2 ‡B‡C 5 6 ôôôô X >>>>> @
B&W CDM-1SE, 1NT  ¡¡¡¡¡   1 ‡A‡B‡C 5 6 ôôô X <<<<< @
B&W 705, 704, 703   ¡¡¡ ¡¡ 1 ‡A‡B‡C‡D 6 ôôôô X >>>>> @
B&W CM1   ¡¡¡ ¡¡ 1 ‡A‡B‡C 5 6 ôôô X >>>>>> @
B&W Nautilus 804  ¡¡¡¡¡¡  1 ‡A‡B‡C‡D 6 ôôô X <<<<<< @
B&W 805S, 804S ¡¡¡ ¡¡¡  1 ‡A‡B‡C‡D 6 ôôô X >>>>>> @
B&W Nautilus 803   ¡¡¡ ¡¡ 1 ‡A‡B‡C‡D 6 ôôôô X >>>>>> @
B&W Nautilus 802D ¡¡¡¡¡¡¡¡ 1 ‡A‡B‡C‡D‡E ôôô X >>>>>>> @
B&W Signature 805 ¡¡   ¡¡¡ ‡@‡A‡B‡C‡D 6 ôôô X >>>>>>>> @
Maker Model FÊ D.ƒŒƒ“ƒW ‘S‘Ì“I Ì —§‘Ì“I Û’¥E“ÁŽ¿
BOSE 301V        ¡ 1 ‡A‡B‡C‡D 6 ôô X >>>>>> @
BOSE 363, 464 ¡¡¡¡¡    1 ‡A‡B‡C‡D‡E ôôôô X >>>>>> @
BOSE AM-5‡V, 33WER ¡   ¡¡¡¡ 1 ‡A‡B‡C 5 6 ôô X <<<<<<< @
BOSE 901WB ¡¡¡   ¡¡ ‡@‡A‡B‡C‡D 6 ôôôôô X >>>>>> @
CAS Vital, Optimista ¡¡¡   ¡¡ ‡@‡A‡B‡C 5 6 ôôô X <<<<<<<<  
CELESTION F15, F30   ¡¡¡    1 2 ‡B‡C‡D 6 ôôôô X >>>> @
Cerwin-Vega VE8, VE12, VE15 ¡¡     ¡ 1 2 ‡B‡C‡D‡E ôôô X >>>>>> ƒXƒgƒtƒ@ƒC‚̃xƒK
DALI TOWER ¡¡¡¡  ¡  1 ‡A‡B‡C 5 6 ôôôô X >>>>> @
DALI MENTOR 6 ¡¡   ¡¡¡ 1 ‡A‡B‡C‡D 6 ôôô X >>>>>>> @
DALI HELICON 800 ¡¡¡   ¡¡ 1 ‡A‡B‡C‡D 6 ôôô X >>>>>>> ƒfƒ“ƒ}[ƒN‚̉Ƌï
DALI EuphoniaMS4, MS5 ¡     ¡¡ 1 ‡A‡B‡C‡D 6 ôôôô X >>>>>>> @
DENON SC-E737 ¡ ¡   ¡¡ 1 ‡A‡B 4 5 6 ôôôô X >>>> @
DENON SC-777SA   ¡¡¡ ¡  1 ‡A‡B‡C 5 6 ôôôô X >>>>> @
DIATONE DS-600Z, 800Z ¡¡¡¡     1 2 ‡B‡C‡D 6 ôôô X >>>>> MIZUNO
DIATONE DS-1000ZX ¡¡¡¡     1 ‡A‡B‡C‡D 6 ôôô X >>>>>>> ASSICS
DIATONE DS-2000ZX ¡¡¡      1 ‡A‡B‡C‡D 6 ôôô X >>>>>>> SSK
DIATONE DS-8000N ¡¡¡¡   ¡ 1 ‡A‡B‡C‡D‡E ôôôô X >>>>>>> BRIDGESTONE
DIATONE DS-A5  ¡ ¡  ¡¡ 1 ‡A‡B‡C‡D 6 ôôô X <<<<<<< @
DIATONE DS-A3 ¡ ¡¡¡  ¡ 1 ‡A‡B‡C‡D 6 ôôô X >>>>>>> @
DIATONE DS-203, 205 ¡¡¡¡¡  ¡ 1 ‡A‡B‡C‡D 6 ôôôô X >>>>>>> @
Maker Model FÊ‘Ñˆæ ‰¹—Ê“K« —]‰C‚̐[‚³ ƒXƒs[ƒhŠ´ Û’¥E“ÁŽ¿
DYNAUDIO SPECIAL 25  ¡¡¡   ¡ 1 ‡A‡B‡C‡D 6 ôôôôô X >>>>>> @
DYNAUDIO CONFIDENCE C4II ¡¡¡¡  ¡  1 ‡A‡B‡C‡D 6 ôôôôô X >>>>>> @
ECLIPSE TD508II      ¡ ¡ ‡@‡A‡B‡C 5 6 ôô X@<<<<<<<< (( @œ@ ))
ECLIPSE TD508III      ¡¡¡ ‡@‡A‡B‡C 5 6 ôôô X@<<<<<<<< ‹É‘Š(¬)
ECLIPSE TD510      ¡¡¡ ‡@‡A‡B‡C 5 6 ôô X@<<<<<<<< ((( @œ@ )))
ECLIPSE TD510II      ¡¡¡ ‡@‡A‡B‡C 5 6 ôôô X@<<<<<<<< ‹É‘Š(’†)
ECLIPSE TD712z      ¡¡¡ 1 ‡A‡B‡C‡D 6 ôô X@<<<<<<<< (((( @œ@ ))))
ECLIPSE TD712zII      ¡¡¡ 1 ‡A‡B‡C‡D 6 ôôô X@<<<<<<<< ‹É‘Š(‘å)
ELAC BS203.2     ¡¡¡¡ 1 ‡A‡B‡C 5 6 ô X >>>>>>> ƒOƒ‰ƒtƒg–Œ
ELAC FS210A ¡  ¡¡¡ ¡ 1 ‡A‡B‡C‡D 6 ôôô X >>>>>>> @
GOLDMUND The Micro Metis      ¡¡¡ 1 ‡A‡B‡C 5 6 ôôôô X >>>>>>> @
JBL 4312Mk‡U ¡¡¡  ¡   1 2 ‡B‡C‡D‡E ôôô X >>>>>> @
JBL 4312SX ¡¡   ¡¡¡ 1 2 ‡B‡C‡D‡E ôôô X >>>>>>> @
JBL 4312D ¡¡¡¡ ¡   1 ‡A‡B‡C‡D‡E ôôôô X >>>>>>> ˆâ“`Žq‚Ì—†ù
JBL 4318 ¡¡¡¡ ¡¡  1 ‡A‡B‡C‡D‡E ôôôô X >>>>>>> ˆâ“`Žq‚Ì—†ù
JBL 4425Mk‡U ¡¡¡¡ ¡   1 2 ‡B‡C‡D‡E ôôôô X >>>>>>> @
JBL 4428 ¡¡¡ ¡¡¡¡ 1 ‡A‡B‡C‡D‡E ôôôô X >>>>>>> @
JBL 4344Mk‡U ¡¡¡ ¡¡¡¡ 1 ‡A‡B‡C‡D‡E ôôôô X >>>>>>> @
JBL S143 Mk‡U ¡¡¡  ¡¡¡ 1 ‡A‡B‡C‡D‡E ôôôô X >>>>>>> @
JBL S2500, S3500 ¡¡¡¡   ¡ 1 2 ‡B‡C‡D‡E ôôôô X >>>>>> @
JBL S4000 ¡¡¡¡ ¡ ¡ 1 2 ‡B‡C‡D‡E ôôôô X >>>>>>> @
JBL S2600, S3100 ¡¡¡  ¡¡¡ 1 ‡A‡B‡C‡D‡E ôôôô X >>>>>>> @
JBL S9800 ¡¡¡¡¡¡¡¡ ‡@‡A‡B‡C‡D‡E ôôôôô X >>>>>>>> @
JBL DD66000 ¡¡¡¡¡¡¡¡ ‡@‡A‡B‡C‡D‡E ôôôôô X >>>>>>>> @
JM lab Cobalt826 ¡   ¡¡¡¡ 1 ‡A‡B‡C 5 6 ôôôô X >>>>>> Contrex
Joseph Audio Pearl ¡  ¡¡ ¡¡ 1 ‡A‡B‡C‡D‡E ôôô X <<<<<<<< @
Maker Model F’² D.ƒŒƒ“ƒW •ï‚ݍž‚Þ Ì •`‚«o‚· Û’¥E“ÁŽ¿
KEF XQ-one ¡¡¡¡¡¡¡  1 ‡A‡B‡C 5 6 ôô X <<<<<<< @
KEF Reference Model 4 ¡¡¡   ¡¡ 1 ‡A‡B‡C‡D 6 ôôôôô X >>>>> @
KEF Reference Model 203 ¡¡ ¡¡¡¡¡ 1 ‡A‡B‡C‡D 6 ôôôôô X >>>>>>> @
KENWOOD LS-1001 ¡¡¡    ¡ 1 ‡A‡B‡C 5 6 ôôôô X >>>> ƒˆ[ƒƒsƒ…ƒAƒ“ƒTƒEƒ“ƒh
KRIPTON VIGORE KX3 ¡¡ ¡¡¡¡  1 ‡A‡B‡C‡D 6 ôôôô X >>>>> @
LINN NINKA  ¡¡¡¡  ¡ 1 ‡A‡B‡C‡D 6 ôôô X >>>>>> @
LINN AKURATE 212 ¡¡ ¡  ¡¡ 1 ‡A‡B‡C‡D 6 ôôô X >>>>>>> @
LOGIFULL LSE-700BLK   ¡¡¡ ¡¡ 1 ‡A‡B‡C 5 6 ôôôôô X >>>>>  
MONITOR AUDIO Silver Studio 8     ¡¡¡¡ 1 ‡A‡B‡C‡D 6 ôôôô X <<<<< UFO‚̉¹
MONITOR AUDIO Gold Reference    ¡  ¡¡ 1 ‡A‡B‡C‡D 6 ôôô X >>>>>> ƒ‹ƒTƒ“ƒ`ƒ}ƒ“‹­‚ß
muRata ES301 ¡¡   ¡¡¡ ‡@‡A‡B‡C 5 6 ôôôô X >>>>>>>> ¬‰¹—ʁ
NHT SB1,SB3 ¡¡   ¡ ¡ 1 ‡A‡B‡C 5 6 ôô X <<<<< ŽOŠp
ONKYO D-77FX‡U ¡¡¡  ¡   1 ‡A‡B‡C‡D 6 ôôôôô X >>>> º‚ª‰·‘ÑŽ¼‹CŒó
ONKYO D-77RX ¡¡¡  ¡¡  1 ‡A‡B‡C‡D 6 ôôôôô X >>>> ƒŠƒ{ŠjŽ_
ONKYO D-77MRX ¡¡¡  ¡¡  1 ‡A‡B‡C‡D 6 ôôôô X >>>>> ƒrƒbƒOƒJƒƒ‰
Maker Model FŠ´ ‰¹—Ê“K« ”{‰¹¬•ª ‰ß“n“Á« Û’¥‚·‚é‚È‚ç
Pastoral Symphony Cz101 Cadenza  ¡¡ ¡ ¡¡ 1 ‡A‡B‡C‡D 6 ôôôô X >>>>>>> ƒGƒ~[ƒ‹
Pastoral Symphony Cz302ES       ¡¡ 1 ‡A‡B‡C 5 6 ôô X <<<<<<<< ƒ}ƒCƒNƒƒvƒA
PIEGA C2,C3 Limited       ¡¡ 1 ‡A‡B‡C‡D 6 ôôô X >>>>>>>> @
PIONEER S-LH3,S-LH5a   ¡¡   ¡ 1 2 ‡B‡C‡D 6 ôôôô X >>>> @
PIONEER CP-PM300   ¡¡  ¡¡ 1 ‡A‡B‡C 5 6 ôôôôô X >>>>> @
PIONEER S-PM2000 ¡ ¡¡¡  ¡ 1 ‡A‡B‡C‡D 6 ôôôôô X >>>>>> Žð’M
PIONEER S-1EX-LTD ¡¡¡¡ ¡¡¡ 1 ‡A‡B‡C‡D‡E ôôôô X >>>>>>> ♕ฺ ƒNƒ‰ƒEƒ“
PMC FB-1, TB2 ¡    ¡¡  1 2 ‡B‡C‡D 6 ôôôô X >>>>> @
QUAD Model 11L ¡¡   ¡¡  1 ‡A‡B‡C‡D 6 ôôôô X >>>>>> @
REVEL AUDIO ULTIMA STUDIO ¡¡  ¡¡¡¡ 1 ‡A‡B‡C‡D‡E ôôô X <<<<<<<< ƒXƒ|[ƒcƒJ[
SOLILOQUY SAT5 ¡¡   ¡   1 ‡A‡B‡C 5 6 ôô X <<<<<<< @
SOLILOQUY 5.0 Monitor ¡¡¡  ¡   1 ‡A‡B‡C‡D 6 ôôô X >>>>>>> @
Sonus Faber Concertino ¡¡¡¡ ¡¡  1 ‡A‡B‡C 5 6 ôôô X <<<<<<< @
Sonus Faber Concertino Home ¡¡¡  ¡¡  1 ‡A‡B‡C‡D 6 ôôô X <<<<<<< @
Sonus Faber Concertino Domus ¡¡  ¡¡¡  1 ‡A‡B‡C‡D 6 ôôôô X >>>>>>> @
Sonus Faber Cremona ¡¡   ¡¡¡ 1 ‡A‡B‡C‡D 6 ôôôô X >>>>>>> ƒ‰ƒsƒ…ƒ^‚ɏo‚Ä‚­‚é
Sonus Faber Amati ¡¡¡  ¡¡¡ ‡@‡A‡B‡C‡D 6 ôôôôô X >>>>>>> @
Sonus Faber Stradivari ¡¡¡ ¡¡¡¡ ‡@‡A‡B‡C‡D 6 ôôôôôô X >>>>>>>> @
spendor SP3/1P ¡¡¡¡     1 ‡A‡B‡C 5 6 ôôôôô X >>>>> @
spendor S3/5se ¡¡¡  ¡¡¡ 1 ‡A‡B‡C 5 6 ôôôôôô X >>>>> @
spendor S5e, S6e, S9e ¡¡¡¡  ¡¡ 1 ‡A‡B‡C‡D 6 ôôôôô X >>>>> @
spendor SP100 ¡¡¡¡   ¡ 1 2 ‡B‡C‡D 6 ôôôôôô X >>>>> @
spendor SP100R2 ¡¡¡¡  ¡¡ 1 ‡A‡B‡C‡D 6 ôôôôôô X >>>>> @
Maker Model Phronesis Mesotes Incoherent Ì Coherent Û’¥E“ÁŽ¿
TAD TAD-CR1 ¡¡¡¡¡¡¡¡ ‡@‡A‡B‡C‡D 6 ôôôôô X >>>>>>>> 1†EƒGƒ“ƒyƒ‰[
TAD TAD-R1, R1 MK2 ¡¡¡¡¡¡¡¡ 1 ‡A‡B‡C‡D‡E ôôôôô X >>>>>>>> ƒiƒEƒVƒJ‚̉¤å³‚ÌŸ÷
TANNOY Mercury m2   ¡¡¡ ¡¡ 1 2 ‡B‡C 5 6 ôôôô X >>>> @
TANNOY Sensys ¡   ¡¡¡¡ 1 ‡A‡B‡C 5 6 ôôôô X >>>>> @
TANNOY Turnberry, Stirling SE ¡¡¡¡ ¡¡  1 ‡A‡B‡C‡D 6 ôôôôôô X >>>>> @
TANNOY Glenair ¡¡¡ ¡¡¡¡ 1 ‡A‡B‡C‡D 6 ôôôôôô X >>>>>> @
TANNOY Canterbury SE ¡¡¡¡ ¡¡¡ 1 ‡A‡B‡C‡D 6 ôôôôôô X >>>>>>> @
TANNOY KINGDOM ¡¡¡  ¡¡  1 ‡A‡B‡C‡D‡E ôôôôôô X >>>>>>> Nos.9
Technics SB-M01 ¡¡   ¡¡  1 ‡A‡B‡C‡D 6 ôôô X >>>>>>> @
Technics SB-M1000 ¡    ¡¡  1 ‡A‡B‡C‡D 6 ôôôô X >>>>> @
Triode TR-SP1 ¡ ¡¡  ¡¡ 1 ‡A‡B 4 5 6 ôôôôô X >>>>>  @
USHER S-520‡V ¡        1 ‡A‡B‡C 5 6 ôôô X >>>>> ƒjƒtƒ‰ƒ€
USHER COMPASS ¡      ¡ 1 ‡A‡B‡C‡D 6 ôô X >>>>> ŒRŠÍŒ^
Victor SX-A103     ¡¡¡  1 ‡A‡B 4 5 6 ôôô X >>>>> ƒNƒ‹ƒgƒ~ƒ…[ƒ‰[‚Ì“õ‚¢
Victor SX-500DE   ¡¡  ¡¡ 1 ‡A‡B‡C 5 6 ôôôôô X >>>>>> ƒRƒ^ƒc‚ɍ‡‚¤
Victor SX-V1A, SX-V7 ¡¡¡  ¡¡  ‡@‡A‡B‡C 5 6 ôôôôô X >>>>>> @
Victor SX-LC3  ¡ ¡¡  ¡ 1 ‡A‡B‡C 5 6 ôôô X >>>>>> @
Victor SX-LC33  ¡ ¡¡ ¡¡ 1 ‡A‡B‡C 5 6 ôôô X >>>>>> @
Victor SX-LT55  ¡ ¡¡ ¡¡ 1 ‡A‡B‡C‡D 6 ôôô X >>>>>> @
Victor SX-WD500 ¡¡¡¡   ¡ 1 ‡A‡B‡C 5 6 ôôôô X >>>>> @
Victor SX-L9 ¡¡¡¡  ¡¡ 1 ‡A‡B‡C‡D‡E ôôôôô X >>>>>> @
Vienna Acoustics S-1, T-2 ¡¡¡  ¡¡  1 ‡A‡B‡C 5 6 ôôôôô X >>>>> ’²‰¹Œ‹‡
Westlake Audio Lc8.1F ¡¡¡¡ ¡¡¡ 1 ‡A‡B‡C‡D 6 ôôôôô X >>>>>> @
YAMAHA NS-100‚˜ ¡        1 ‡A‡B‡C‡D 6 ô X >>>>>> @
YAMAHA NS-pf7    ¡¡ ¡¡ 1 ‡A‡B‡C 5 6 ôô X@<<<<<<< @
YAMAHA NS-8HX   ¡¡¡ ¡¡ 1 ‡A‡B‡C‡D 6 ôôôô X >>>>> @
Wilson Audio System7 ¡¡ ¡¡¡¡¡ 1 ‡A‡B‡C‡D‡E ôôô X <<<<<<<< @
Zingali OCM106 ¡¡¡¡¡¡   1 ‡A‡B‡C‡D 6 ôôôô X <<<<<<< @
Maker Model FÊ‘Ñˆæ ‰¹—Ê“K« ‰¹‚à‚¿‚̂悳 ‰¹—£‚ê Û’¥E“ÁŽ¿





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